Never in the course of the show do the writers suggest that God or the devil aren’t real. But in spite of all the horrors, the director raises doubts: are the series’ events all the result of fear and paranoia, or actually one of the most horrifying incarnations of evil the horror genre has had to offer? John Carpenter’s The Thing is an obvious influence on some of the phenomenal monster designs. The town is ensnared in an everlasting fog, suffering events reminiscent of older horror tales from Spain and elsewhere ( The Vampires Night Orgy, the films of Paul Naschy, and so on). A character is sucked into the ground while dreaming, like in A Nightmare on Elm Street. The pilot episode slowly builds up atmosphere to eventually go the full Xtro route, with a dash of Larry Cohen’s It’s Alive! This opening season is full of cult horror cinema callbacks that are organically built into the narrative. They quickly blend the personal and the universal, thanks to pitch-perfect performances that never lose sight of their characters’ intimate motivations. That ensemble stands in for distinct sections of society: politics, law enforcement, religion, and so forth. His filmography has become a rich tapestry of subversive comedy that channels his favorite genres to challenge his audience’s expectations, in Spain and abroad.ģ0 Coins, or 30 Monedas in its original Spanish title, centers on three main characters: Father Vergara, the exorcist and ex-con priest Elena, the savvy and resourceful veterinarian and Paco, the town’s careful and unwilling mayor. And the weird, dark action dramas The Last Circus and Witching and Bitching showed the world how effortlessly he can combine heightened genre fare with a gut-wrenching emotional core. The comedic love letter to Westerns 800 Bullets explored the era of Spanish and spaghetti Westerns in a funny, heartfelt manner. His cult work ranges widely in tone and subject matter: the Christian end-of-the-world adventure The Day of the Beast redefined Spanish genre cinema and remains a beloved horror oddity. It’s a series of many treasures.ĭe la Iglesia has been churning out cult genre films for almost 30 years, from his 1993 science fiction comedy debut Mutant Action to his claustrophobic 2017 thriller The Bar. Christian mythology meets Lovecraftian terror in the latest genre-bending, endlessly entertaining effort from iconoclast Spanish filmmaker Álex de la Iglesia. Clearly, something is afoot in this eight-episode show about malevolent Christian forces trying to take control of a remote Spanish town, and eventually even the Vatican itself. The characters are involved in a hellish plot, where death and resurrection are two sides of the same coin” said de la Iglesia in a release.Barely a few minutes into the HBO MAX series 30 Coins, viewers have already witnessed a cow giving birth to a human baby. “If the first season was the gathering of the storm clouds, the second will be the maelstrom preceding an epic storm. Other popular films on which the two have partnered include the apocalyptic holiday classic “The Day of the Beast” (“El día de la bestia”), “Witching and Bitching” (“Las brujas de Zugarramurdi”) and de la Iglesia’s English-language thriller “The Oxford Murders,” starring Elijah Wood and John Hurt. “30 Coins” was created and is co-written by de la Iglesia and his long-time creative partner Jorge Guerricaechevarría. According to the scant details available thus far, Season 2 promises a new kind of enemy altogether, one which instills fear into the Devil himself. Elena (Megan Montaner) is bedridden in Madrid while Mayor Paco (Miguel Ángel Silvestre) does his best to care for the veterinarian-turned-demon-hunter. Is Father Vergera in the real Pedraza square, or some alternate version? Is he even alive? What about his arch nemesis Cardinal Santoro?Īs Season 2 picks up, several citizens of Pedraza have gone mad and been committed to a psychiatric hospital.
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